Fight Club’s Gothic Leanings in a Pre-9/11 Era

In this essay I explore the way in which Chuck Palahniuk uses Gothic tropes in Fight Club (1996) to explore the terrors of the postmodern capitalist city, and how this situates it within the context of the 9/11 terror attacks in New York. Continue reading “Fight Club’s Gothic Leanings in a Pre-9/11 Era”

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